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10th Annual Movies for Grownups

We Watched (more than 100 films)We Debated (Helen Mirren…again!?)We Voted (who picked MacGruber?) And After Countless Hours We're Proud to Present 2010's Best

Maybe they're simply echoing the troubled world churning outside the theater, but this year's winning Movies for Grownups® are largely about people at midlife crisis points: A monarch confronts his most private demons (The King's Speech)…a divorced woman sees the world conspiring against her (Another Year)…three men are discarded by the company they built (The Company Men), and on it goes. Each must choose to either accept the role of victim or arise to create a new, better life. Happily, from this year's Hollywood crop our editors discovered a wealth of inspiring, thoughtful, and — most important — supremely entertaining movies.

Best Movie for Grownups

The King's Speech

Directed by Tom Hooper

A wondrous mix of inspired direction, breathtaking performances, and a compelling true human drama, The King's Speech is darn close to perfect. We meet the king of England's second son (Colin Firth) in the 1930s, when he reluctantly visits a no-nonsense speech therapist (an astonishing Geoffrey Rush) for treatment of a per ­ sistent stammer. The task turns epic when the prince, thrust onto the throne, must address his nation as it goes to war — and overcome not only his speech disability but also the terrible secrets that triggered it. Seldom in film have the currents of history and the eddies of human frailty been so gingerly interwoven.

We Also Loved: See our editors' complete list of the 10 best movies of the year, below.

Best Actor

Colin Firth

The King's Speech

His heartrending depiction of a man struggling with a stammer would be remarkable enough, but Firth invests the role of King George VI with searing humanity. Embodying shame, bitterness, and vulnerability, Firth inhabits the man's entire lifetime, transmitting it to us with subliminal power. Screen acting gets no better than this.

We Also Loved: Michael Caine, Harry Brown; Michael Douglas, Solitary Man; Robert Duvall, Get Low; Kevin Spacey, Casino Jack.

Best Actress

Lesley Manville

Another Year

You want to throttle flighty, self-involved Mary. Sure, she's had a rough time, what with her husband leaving her when she's so needy and all. Yet five minutes into Leslie Manville's X-ray-like performance as Mary, you can simultaneously understand why the ex-hubby was drawn to her (her bubbly vivaciousness, her hot-blooded yearning for affection) and why he later headed for the hills (ditto).

We Also Loved: Annette Bening and Julianne Moore, The Kids Are All Right; Vanessa Redgrave, Letters to Juliet; Tilda Swinton, I Am Love.

Best Supporting Actor

John Malkovich

Secretariat

The role of Lucien Laurin, the veteran trainer who helps Penny Chenery (Diane Lane) groom her racehorse for Triple Crown immortality, is the ideal channel for Malkovich's trademark quirkiness. But the actor also radiates immense capability and horse sense.

We Also Loved: Geoffrey Rush, The King's Speech; Kevin Costner, The Company Men; Bill Murray, Get Low; Ben Kingsley, Shutter Island.

Best Supporting Actress

Phylicia Rashad

For Colored Girls

Rashad's character, Gilda, seems determined to keep her distance from us. She is an observer — the apartment manager who watches the comings and goings of director Tyler Perry's cast in this adaptation of an Obie-winning play. But read Rashad's face, and study her eyes — they brilliantly reflect every broken heart, every shattered life, that passes her door.

We Also Loved: Sissy Spacek, Get Low; Diane Keaton, Morning Glory; Melissa Leo, The Fighter; Gemma Jones, You Will Meet a Tall Dark Stranger.

Best Director

Danny Boyle

127 Hours

Here's an insane task: Make a movie in which the hero amputates his own arm — and keep the audience from running screaming from the theater. Miraculously, seasoned storyteller Boyle (Slumdog Millionaire, Trainspotting) pulls it off (so to speak).

We Also Loved: Paul Greengrass, Green Zone; Paul Haggis, The Next Three Days; Tony Scott, Unstoppable; John Wells, The Company Men.

Best Screenwriter

John Wells

The Company Men

GENE (Tommy Lee Jones) [reviewing proposed layoffs]: "All I see are people who are over 50, with enough young ones thrown in to protect us against litigation."

HR HATCHET GUY: "We're not breaking any laws, Gene."

GENE: "I guess I always assumed we were trying for a higher standard than that."

We Also Loved: Joel and Ethan Coen, True Grit; Paul Haggis, The Next Three Days; Mike Leigh, Another Year; David Seidler, The King's Speech.

Best Grownup Love Story

Annette Bening and Julianne Moore

The Kids Are All Right

If love stories are about people muddling through the thicket of commitment, re ­ calibrating their relationship as life throws its curve balls, and fiercely protecting those they love, then it's hard to come up with one more real — and raw — than Bening and Moore as the "Momses." The couple's happiness is put at risk when their children seek out their biological dad.

We Also Loved: Blythe Danner and Richard Dreyfuss, The Lightkeepers; Julianna Margulies and Andy Garcia, City Island; Ruth Sheen and Jim Broadbent, Another Year; Naomi Watts and Sean Penn, Fair Game.

Best Comedy

City Island

Directed by Raymond De Felitta

Who's got a secret? Just about everybody in this gem. Andy Garcia's the prison guard who secretly wants to act, Julianna Margulies is his neglected wife who's growing a bit too fond of the young man hubby brought home for dinner one night — and as for their kids, well, if Mom and Dad only knew.…

We Also Loved: Date Night, Flipped, RED.

Best Intergenerational Film

Flipped

Written and directed by Rob Reiner

Defying our kids-know-best culture, Reiner's young hero (Callan McAuliffe) turns to his grandfather (John Mahoney) for the wisdom of experience, the comfort of love. The result is as magical a screen relation ­ ship as you will see.

We Also Loved: The Karate Kid, The Kids Are All Right, That Evening Sun, Touching Home.

Best Documentary

Waste Land

Directed by Lucy Walker, Karen Harley, and João Jardim

The story of Brooklyn artist Vik Muniz, 49, and the breathtaking art he creates with the trash pickers of Rio de Janeiro is mesmerizing, heartbreaking, and enthralling.

We Also Loved: Client 9: The Rise and Fall of Eliot Spitzer, Joan Rivers: A Piece of Work, Waiting for "Superman," Marwencol.

Breakthrough Achievement

Helen Mirren

RED

The First Lady of the Cinema, playing a spy forced out of retirement, kicks a heap of bad-guy butt. Best moment: at the trigger of a machine gun the size of a Buick.

Best Foreign-Language Film

Farewell

Belgium (French, Russian, English)

As the KGB bureaucrat who leaked the list of his agency's spy network to the West, Sergei Gregoriev — and the French engineer who was his courier — helped end the Soviet Union. Director Christian Carion tells their story as a nail-biting spy drama played against the gathering gloom of an imploding empire.

We Also Loved: A Film Unfinished (Israel and Germany),The First Beautiful Thing (Italy), Mother (South Korea), Peepli Live (India).

Best Buddy Picture

Unstoppable

Directed by Tony Scott

Denzel Washington is the engagingly grizzled veteran train engineer; Chris Pine is his eager young conductor. As they desperately try to keep their runaway train from killing thousands, the youngster learns to respect the lessons of experience, and the old fella rediscovers the value of youthful exuberance.

Best Movie for Grownups Who Refuse to Grow Up

The Karate Kid

Directed by Harald Zwart

Admit it: Someone bullied you at least once. And oh, if only you'd had someone like the ageless Jackie Chan to pat you on the head, explain that true strength is in calm maturity…and then show you how to kick the guy in the head.

We Also Loved: Alice in Wonderland, Diary of a Wimpy Kid, How to Train Your Dragon, Toy Story 3.

Photographs by Craig Cutler

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