AARP Hearing Center
American standards
I learned many of the songs on the new album [popular earlier works from Broadway and film] at my mother and father's knee, then I interpreted them on the guitar. They're the source of my music, along with some Celtic music, Brazilian music, Afro-Cuban music and the Protestant hymnal. These tunes by Frank Loesser and Rodgers and Hammerstein, and Yip Harburg and Harold Arlen, are, to me, as sophisticated as pop music can get.
Sine qua non
I dedicated the new album that way to my wife, Caroline. It's Latin. It means “without which there's nothing."
Instrumental to success
I think my parents’ main contribution was not that they taught us any music but that they insisted we each choose an instrument and study it. At first, mine was the cello. My older brother, Alex, played the violin, reluctantly; my sister, Kate, and my brother Livingston both played the piano. When we got into our teenage years, Livingston played the banjo, Kate was singing, and I was playing the guitar. Alex and I were in a band together when we were in high school. So we did make a lot of music among us.
'Break Shot’ youth
In a break shot in billiards, things go from order to chaos in an instant. It seemed like an apt metaphor for what happened to my family in the mid-'60s. We were the sons and daughter of a very dedicated and successful physician and academic, and had a wonderful childhood growing up in North Carolina. Yet instead of going to college, most of us ended up in a psychiatric hospital and essentially dropped out. It's been a mystery to me. Why at this stage of mid-to-late adolescence did we jump the tracks and run off the rails? I pieced it together later: My father was a very functional alcoholic, but he was an alcoholic, as was his father, and it always gets to a point where it's not sustainable anymore. That happened at about the same time that my parents’ marriage ended. I came out of it with only one path forward, and that was music.
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