Staying Fit
Martin Scorsese isn’t slowing down as he approaches his 80th birthday on Nov. 17. He’s finishing what he calls his “first Western,” a $200 million 2023 adaptation of the true-crime book Killers of the Flower Moon: The Osage Murders and the Birth of the FBI. He tells AARP that filmmaking still feels like swimming upstream, and that pretty much every one of his films had been a “knock-down, drag-out fight” to make.
But what riches have come out of those fights! Below, in honor of his birthday, we present a watch list of the Scorsese films that rank as his best and confirm his status as a great — if not the greatest — living director, plus a few others you simply must see.
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7. The Age of Innocence (1992)
Scorsese’s good friend, critic and screenwriter Jay Cocks, told him that Newland Archer, the protagonist of Edith Wharton’s 1920 novel who gives up his chance for true happiness in order to do the right, or “proper,” thing, was an embodiment of Marty. In one of the director’s most beautiful and nuanced achievements, Daniel Day Lewis’ Archer, trapped in a loveless marriage, is swept away by the “exotic,” slightly scandalizing beauty of Michelle Pfeiffer’s countess. It’s a period tragicomedy of manners in which not a voice is raised, not a hand is lifted — but in its quiet way, this is one of Scorsese’s most emotionally violent movies.
Watch it: Hulu, Prime Video
See also: Hugo (2011), an even more elaborate period film about the birth of cinema, and Scorsese’s most family-friendly picture. Watch it on Prime Video, Hulu, HBO Max.
6. Taxi Driver (1976)
American films of the 1970s teemed with urban hellscapes, from gritty police dramas (The French Connection) to deliberately offensive shock comedies (Where’s Poppa?). Taxi Driver almost belongs in their company, but ultimately it’s too irrational and surreal, as poetic as Rimbaud, Ginsberg or Genet. Writer Paul Schrader, actor Robert De Niro and director Scorsese all left their definitive signatures. Bickle, a man with no friends and no loves, stuck in a kind of run-out groove glitch of endless nights endangering himself, is so blinkered and socially inept he believes that a porn movie house is an appropriate first-date venue (with Cybill Shepherd). When he finally makes a move, in an attempt to “rescue” teen prostitute Iris (Jodie Foster, in a great performance that still raises hackles), it’s the wrong one. And of course it winds up making him a hero. An always harrowing account of the loneliness that leads down a tunnel culminating in violence, Taxi Driver was always meant to make its viewers uncomfortable. And it still does.
Watch it: Prime Video
See also: Shutter Island (2010), an even more lurid (if such a thing is possible) account of a man-monster in isolation. Watch it on Google Play, Prime Video.
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