AARP Hearing Center
The Library of Congress is curating the ultimate playlist. Each year, the institution adds 25 works deemed culturally, historically or aesthetically important to its National Recording Registry. That puts the total so far at 700, ranging from Thomas Edison’s pioneering sound recordings — originally captured on tinfoil, tin cylinders and wax cylinders — to the Hamilton cast recording. This year’s inductees include the Go-Go’s debut album, Beauty and the Beat, Chaka Khan’s hit “I Feel for You” and music from the Doom video game.
As the United States celebrates its 250th birthday, we talked with Patrick Midtlyng, head of the library’s Recorded Sound Section, about the importance of sound preservation.
Why does the National Recording Registry matter?
These recordings mean something about us. They are anchors to our past. They remind us of what we have had. I think what’s important is that it’s not just an opportunity to reflect on songs and radio broadcasts. The NASA recordings are on there.
How are recordings selected?
Every year, there are a number of study groups that will put together nominations, pre-1955 recordings, fieldwork recordings, gospel recordings, rap and hip-hop. There’s a dance group, a choral group, an opera group and others. Then the National Recording Preservation Board will vote on those nominations. The list is then provided to the Library of Congress, and from that list, the librarian can choose which 25 recordings will go on the list that year.
So does the librarian of Congress have the final say?
The librarian is charged with it in the National Recording Preservation Act. It is their say. Currently, Robert Newlen is the acting librarian of Congress. So ultimately, it is the head of the agency who is making those final determinations based on all the input of the experts.
How can the public listen to these recordings?
Anything pre-1926 on the registry is now in the public domain. We have those online through the National Jukebox. But recorded sound copyright is a wildly fascinating topic, and so most recordings are not free to put online.
So, the registry is a list, not a place to download or stream the recordings?
That’s correct. If you go to the recording registry web page, you’ll find a list of tracks that a group of experts has determined to be important. We also have essays on there from scholars and professionals in their fields. We have interviews with many of the inductees. There are individual song essays that are written every year that help to provide some context behind the recordings.
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