10 Quick Questions for Giancarlo Esposito

Giancarlo Esposito, 64, is masterful in his portrayal of the Breaking Bad/Better Call Saul character Gustavo “Gus” Fring, and he has an impressive slate of current acting projects. These include Disney+’s The Mandalorian, Prime Video’s The Boys, Epix’s Godfather of Harlem and the new Netflix series Kaleidoscope — a nonlinear anthology series that tells the story of a heist 25 years in the making.

Your career is booming. Any thoughts on this late-in-life success?

I love what I do, and more and more I don’t take it for granted. I put more energy into my preparation and more care so that my work becomes more subtle, and I understand it on a deeper level, to honor the writer’s intention. And then to allow myself to not feel like I have to shine, but to feel like I’m organically truthful and real. I don’t do anything I don’t feel, and that’s the key. When you start to just do it by rote, because you’re getting accolades or praise, you lose the sense of connection.

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Kaleidoscope is the first nonlinear series that you can watch in any order. This is fun for viewers, but how was it as an actor?

I loved the idea. Most of what we do as actors is we wait for one script to come — and we get the next one and the next one. What’s been wonderful about this is I was given red and yellow [episodes are labeled by colors] to read first, and I was intrigued to be able to read the rest. That all the [episodes] were done was an amazing thing. I could feel like there was an opus there already. I could feel like the character I was trying to render real, truthful and honest was completely there in every element in the eight episodes. So then the trick for me was how to allow all of it to live. It’s a story that has many profound elements in it.

Your character, Leo Pap, is the criminal mastermind of the heist. How did you prepare for it?

I wanted to play an everyman — someone who could disappear and become invisible. To see how stealthy I can be in the part of Leo that is the thief — to take something that’s not yours and to get in and out without hurting anyone, to disarm and neutralize. Those were important parts of creating Leo. I was on my way traveling somewhere in an airport, rolling a bag behind me, and I wanted to see how close I could get to a pedestrian in front of me without them knowing I was there. That was an interesting exercise. I realized I was very good with being silent with my feet. I was really good at blending my personality into the tile, and then when that person dropped something accidentally, I realized, Oh, wow, I can now pick that up and return it to them. They don’t even know how close I am to them. 

 Leo is a criminal, but he’s nowhere near as scary as Gus or the characters you play on The Boys and The Mandalorian. Do you ever just want to do a rom-com?

I do, yes. I do want to do a rom-com. Many people are surprised that when they meet me, I’m a little lighter than what I seem, because they know me from playing Gustavo Fring, which is certainly very intense. I am also looking for a comedy. I’m cultivating some ideas with a couple of different people that have sophisticated ideas in regard to comedy.