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After my uncle left the monkhood (and also Catholicism) in 1979, he repaired to a small, crumbling cottage in the foothills of the French Pyrenees and spent much of the next quarter century translating Thucydides’ History of the Peloponnesian War from Greek into Latin, meticulously scribing his work into perfect-bound notebooks.
When my uncle died, in 2007, my father told me he was just going to toss all 60 or so of those notebooks. “You’re never going to read them,” he said, “and nobody else is, either.”
I flew to France that fall expressly to save the notebooks, then trundled them home in two liquor boxes. And now, 19 years on, I have to concede that not a single one of those notebooks has been read cover to cover.
But I have from time to time opened them and beheld my uncle’s tiny, exquisite script. I’ve given away a dozen or so notebooks to friends and relatives, and they’ve marveled with me over how, amid the distractions of the modern world, my uncle practiced patience and exactitude.
In saving my uncle’s notebooks, I’ve helped to keep his spirit alive. I think that way because I’m a family archivist. I shore up papers, old photographs and artifacts that tell the story of my people.
In a roughly 150-square-foot, low-ceilinged attic space affixed with six bookshelves, I have a trove of florid letters my grandfather wrote during his days as a naval officer in World War I. I have the high-relief brass plaque bearing a bust of my great-uncle Philip Donahue, to mark the day in 1961 that the Catholic Church made him a monsignor, and I have the girlhood Brownie uniform that my late mother wore in 1938, in defiance of the law, when she and my grandmother lived in Mussolini’s Italy.
The boxes in my attic are lodged at odd angles; documents spill out of their sides. Marie Kondo would surely disapprove, but that bothers me not.
There’s a deeper reason for my archival efforts. Life is uneven, pocked by episodes of pain and alienation. Myself, I got divorced at 32, and the raising of my only child was fractious.
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