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“Last year, my sister Jody died. [She] was a huge person in my life,” Kurt Russell says quietly. “But they say we’re all going to [die someday]. I don’t know if I’ve figured that out for myself yet. I don’t quite believe that. Maybe they’ll come up with something a couple of months before I’m supposed to fade out.”
He pauses: “It’s like, ‘Guess what we just discovered?’ ”
At 74, Russell is starring in The Madison and is still drawn to work that lets him explore what matters most: family, loss, love and what it means to keep going. In the new Paramount+ drama, premiering March 14, he plays Preston Clyburn, a Manhattan finance man whose family is navigating a devastating loss while he remains pulled toward the life and sense of self he finds in Montana.
For an actor long associated with harder-edged roles, the part offered something different — playing a man more emotionally connected in a way his earlier characters were not.
That familiarity is not abstract. He and his partner, Goldie Hawn, have built a blended family over more than four decades, with four children and eight grandchildren. So when he talks with AARP about grief, longevity and how age changes a person, he is not speaking in platitudes. He is speaking as a man who has lived long enough to know that strength is not always about force, that family is the center of things and that staying interested in life matters.
(This interview has been edited for length and clarity.)
[Yellowstone creator] Taylor Sheridan’s world is usually pretty brutal. This show feels much more emotional and family-driven. Is that what pulled you in?
We were talking about the possibility of doing something with Taylor for a number of years. I was doing this big, epic adventure show for Apple Plus, which is the Monarch show. And we were trying to work out a schedule … but then finally I was able to read four episodes. I just loved everything about it. And I just wanted to take advantage of the opportunity ....
This sort of Taylor-Sheridan-female-gaze-thing was very different. I liked the way he writes the women in the show. I liked the way he writes about the men in the show.
The show deals a lot with loss and the impact it has on a family. What about this felt honest to you?
Well, we’ve all had experiences with people who were very close to us who died. Last year, my sister, Jody Russell, died. And I know what it meant to her family. I know what it meant to me. The way [grief] is presented [in The Madison] was very realistic. There was nothing forced about it. I think it hits men very differently than women, but they both respond the same way.
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