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Poetry for People Who (Think They) Don’t Like Poetry

‘There’s no wrong doorway’ into the magical world of verse. Enter with us


a person seated with a book, surrounded by handwritten script and images that evoke creativity and verse
Poetry fans often don’t discover the genre’s beauty and relevance until later in life.
Elena Lacey (Getty Images, 6)

If you think poetry is not for you, you’re not alone. 

Many people find the language of some older poems — “thee,” “thou” and such — too old-timey, and when they’re first introduced to poetry in school, it can feel like a test. Some teachers present it as something “you have to solve, like a Rubik’s Cube,” says Sarah Kay, a poetry evangelist and author of the new poetry collection A Little Daylight Left. “That makes people’s relationship to poetry antagonistic — something that makes them feel dumb or excluded,” she continues. “That’s not something you’re going to fall in love with.”

But Kay and other poetry fans say you might just need to read the right poem to understand the magic of the genre — when you realize, “Oh my God, somebody found language for something I did not even know I needed language for,” as Kay puts it. 

Poetry is notoriously hard to define; Merriam-Webster calls it “writing that formulates a concentrated imaginative awareness of experience in language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm.” It tends to be lyrical and use evocative imagery, allowing the poet to express ideas in a unique way. Poet Elissa Gabert offers a unique way of looking at it: “I think poetry leaves something out,” she wrote in a 2022 “On Poetry” column in The New York Times. “The missingness of poetry slows readers down, making them search for what can’t be found.” 

You might try listening to a poem rather than reading it. There are countless examples online of narrators reading poems aloud. Find Rumi’s “The Guest House” read by Helena Bonham Carter, 59, for instance, or the late Mary Oliver (see more on her below) reading from her 2012 collection A Thousand Mornings. If you want to dive into the all-time greats read by familiar voices, consider the audiobook version of The Poets’ Corner: The One-and-Only Poetry Book for the Whole Family by actor John Lithgow, 79. It features him and other actors reading 50 classic poems, such as Elizabeth Bishop’s “Filling Station,” read by Glenn Close, 78, and Edgar Allen Poe’s “Annabel Lee,” read by Sam Waterston, 84. 

“There are so many doorways into poetry, and there’s no wrong doorway,” says Kay, whose 2011 TED Talk, a recitation of her poem “If I should have a daughter,” has more than 6 million views.

Even poets took time to discover poetry

Adrian Matejka posing for a portrait in a black jacket and shirt
Adrian Matejka, editor of “Poetry” magazine, says he wasn’t drawn to poetry in high school. “I just hadn’t been exposed to the right poets,” he says.
Diana Solis/Courtesy Adrian Matejka

Adrian Matejka, 53, editor of Poetry magazine, says, “I was one of those people who really didn’t like poetry.” During Matejka’s high school years in Indianapolis, a teacher told his class, “You knuckleheads won’t understand poetry, so we’re going to do something else.”  

Then, while attending Indiana University, Matejka heard a reading by Yusef Komunyakaa, 78, a Pulitzer Prize-winning poet who was a correspondent in the Vietnam War and whose poetry is full of jazz rhythms and vernacular language. Matejka was blown away by Komunyakaa’s “Blackberries” and realized, “I just hadn’t been exposed to the right poets.” 

Maria Shriver, 69, the Emmy and Peabody award-winning newscaster and former first lady of California, recently published I am Maria, a book of soul-baring verse, meditations on the loss of self, parents, pets and love. “People come up to me, and say, ‘Yours is the first poetry book I ever read,’” she tells AARP. “I think they were first introduced to poetry at a time in their life when they would not understand it… They have to be reassured that they can take another stab at it.” 

Maria Shriver posing for a portrait while reclining on a white upholstered chair
Maria Shriver is the author of “I Am Maria,” a book of soul-baring verse.
Courtesy Shelby Meizlik

When they do, she adds, “they realize, ‘Wow, this is completely different from what I thought it was.’”

Shriver can relate to those sentiments: She says she tiptoed into the genre around her 50th birthday, when a friend gave her a framed copy of “Love After Love” by the late Derek Walcott, a Caribbean poet who won the Nobel Prize for Literature in 1992. “I was like, Wow. This is speaking to me.”

In her aptly titled poem “Never Too Late,” Shriver writes, “As a young girl / I thought I’d feel done / How wrong I was.”

There are many other poignant poems about growing older, including Mary Oliver’s “Hallelujah” and Maya Angelou’s “On Aging.” David Lehman, 76, editor of the annual Best American Poetry collections, considers the Irish poet William Butler Yeats (1865–1939) as “no doubt the greatest poet on the subject of aging … who got better and better as he got older and older.” 

For one:

When You Are Old

By W. B. Yeats

When you are old and grey and full of sleep,
And nodding by the fire, take down this book,
And slowly read, and dream of the soft look
Your eyes had once, and of their shadows deep;

How many loved your moments of glad grace,
And loved your beauty with love false or true,
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face;

And bending down beside the glowing bars,
Murmur, a little sadly, how Love fled
And paced upon the mountains overhead
And hid his face amid a crowd of stars.

Recommended poetry collections for beginners

Blessing the Boats: New and Selected Poems (1988–2000) by Lucille Clifton

the cover of the book, 'Blessing the Boats'
“Blessing the Boats: New and Selected Poems 1988–2000” by Lucille Clifton.
Courtesy National Book Foundation

Matejka praises this National Book Award-winning 2000 collection by Clifton, who was discovered by Langston Hughes and passed away in 2010. Known for her eloquent characterizations of the African-American experience, motherhood and more, the poet received multiple Pulitzer Prize nominations, including for her autobiographical 1980 collection, Two-Headed Woman. Blessing the Boats. Its beautiful titular poem leads with optimism: “may the tide / that is entering even now / the lip of our understanding / carry you out / beyond the face of fear.”

Bright Dead Things (2015) by Ada Limón

the cover of the book 'Bright Dead Things'
“Bright Dead Things” by Ada Limon.
Courtesy Milkweed

Matejka suggests that people new to poetry start with outgoing poet laureate Ada Limón, 49, whom he describes as a poet of “quiet moments” whose work is “lovely to read.” Poems in Bright Dead Things, a National Book Award finalist, include the relatable “In a Mexican Restaurant I Recall How Much You Upset Me,” about the poet’s dead stepmother, whom she both loathes and misses, and “Nashville After Hours,” a joyful ode to the restorative powers of a rowdy night at the honky-tonk. If that strikes a chord, check out Limón’s most recent collection, The Hurting Kind (2022), and watch for Startlement: New and Selected Poetry in September. 

The Catalog of Unabashed Gratitude (2015) by Ross Gay

the cover of the book 'Catalog of Unabashed Gratitude'
“Catalog of Unabashed Gratitude” by Ross Gay.
Courtesy University of Pittsburgh Press

Gay, 50, is a prize-winning poetry professor who teaches at Indiana and Drew universities, and a farmer whose poems are full of joy. (He’s also the author of the best-selling 2019 essay collection The Book of Delights, which was followed by 2023’s The Book of (More) Delights.) There’s a sense of wonder in Ross’ poem “To the Fig Tree on 9th and Christian,” about a group of strangers gleaning fruit from a tree near the sidewalk. “In Philadelphia, a city like most / which has murdered its own / people / this is true / we are feeding each other / from a tree.” And consider his short “ode to the flute,” where a man and a flute become one.

New and Selected Poems, Volume One by Mary Oliver

the cover of the book 'New and Selected Poems, Volume One'
“New and Selected Poems, Volume One” by Mary Oliver.
Courtesy Penguin Random House

Oliver, who passed away in 2019 at age 83, is one of the most beloved American poets of all time. The Pulitzer Prize winner spent much of her life on Cape Cod in Massachusetts, and is known for her meditations on the natural world. Among her most famous works, included in this National Book Award-winning 1992 volume, is her “The Summer Day,” with its pointed final lines: “Tell me, what is it you plan to do / with your one wild and precious life?” A new collection of Oliver’s poetry and essays, Little Alleluias, which includes her seven-part, book-length poem “The Leaf and the Cloud,” will be released in September.

The Best American Poetry 2024, edited by Mary Jo Salter and series editor David Lehman

the cover of the book 'The Best American Poetry 2024'
“The Best American Poetry 2024.“
Courtesy Simon and Schuster

This edition of the annual collection (the 2025 edition is coming in September) is full of gems. Hard-pressed to pick favorites, Lehman nevertheless highlights Jane Shore’s “The Hat,” which heartbreakingly chronicles the descent of a favorite aunt from whimsical bohemia to squalor. In “Apophasis at the All-Night Rite Aid,” Catherine Barnett describes late-night retail therapy, browsing the aisles until “the handsome new pharmacist ... prescribes the moon, which has often helped before.” An excerpt from Robyn Schiff’s book-length poem, “Information Desk: An Epic,” about working at the Metropolitan Museum of Art, tells a funny, subversive tale about finding dead cockroaches planted on a Louis XV desk. 

Poetry Resources

Poetry Foundation: In addition to publishing the monthly Poetry magazine for paid subscribers, the Poetry Foundation has a plethora of free quality content, including an online index of poems suitable for reading at occasions from christenings to funerals; the Poem of the Day service, which delivers a poem every morning to your inbox; podcasts; and guides to more than 100 poems, including classics like T.S. Eliot’s “The Love Song of J. Alfred Prufrock.”

Poets.org: This site, run by the Academy of American Poets, has similar offerings, such as a Poem-a-Day program, a curated collection of poems for occasions, and a guide to poetry happenings and bookstores.

The Best American Poetry: The Best American Poetry book series also has a blog about all things poetic.

The New York Times Poetry Challenge: Subscribers can check out a wonderful project the Times introduced in the spring: a weeklong focus on poetry that includes a challenge to memorize the poem “Recuerdo” by Edna St. Vincent Millay. And A.O. Scott, the Times Book Review’s critic at large, has a series of stories, each a deep dive into one poem, such as Gwendolyn Brooks’ “my dreams, my works, must wait till after hell.” 

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