AARP Hearing Center
When 75-year-old Arlene Brooks slid back into her mermaid tail, she felt like a teenager again. Only, this time, she wasn’t performing for a crowd but swimming with the women who had shaped her life.
Tucked off a quiet highway in central Florida, Weeki Wachee Springs rose to fame in the 1950s and ’60s as a roadside attraction where women dressed as mermaids in shimmering tails performed underwater ballets behind the glass wall of a theater 16 feet below the surface. Now in their 70s, these women were part of the magic, and this summer they returned to Weeki Wachee for one more swim with the help of Wish of a Lifetime from AARP.
Cheryl Wood, 79, first saw the springs when her parents took her to the attraction as a high school senior. On her 18th birthday, in November 1963, she was hired to perform as a Weeki Wachee mermaid.
Ruth Greening, 76, became a Weeki Wachee mermaid in 1967. She recalls seeing the springs for the first time when she was 4 years old on a visit with her grandmother.
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“I can actually still physically feel the fabric of my grandmother’s dress when I tugged on it and said, ‘I wanna come here someday. I wanna be a mermaid,’” Greening says.
The same year Greening got the job, Donna Paul, 77, Jo McCoy, 76, and Brooks also joined the mermaids cast and became part of the magical phenomenon they admired. For about three years, they embarked on a journey that would shape their young adult lives.
“We were really busy. We weren’t just sitting around looking pretty,” McCoy says. “We had to go across to the theater, and we had this fabulous little thing called the Tube. You had to jump down in it and go out.”
To enter the main spring, the mermaids had to dive into an L-shaped, 16-foot-long tube, followed by another swim under the theater. It led to an underwater airlock room where they waited before starting their shows.
Their first performance, The Wizard of Oz, featured graceful underwater ballet maneuvers. The mermaids slipped into their roles as the Tin Man, Dorothy and the Cowardly Lion, swimming through the swift current while maintaining the illusion of underwater enchantment. To the audience on the other side of the glass, it looked like pure magic.
“We had one show where Ruth did her whole routine upside down, facing the audience, and she was the Scarecrow. Then I was Tin Man, and she got in behind me with her air hose and was running it up underneath my jacket. I felt like the hunchback,” Brooks says.
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