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It was an Instagram sensation long before Instagram was invented.
An undulating pile of titanium, glass and limestone perched on a river in a rusty backwater city in Spain’s Basque Country, the jaw-droppingly original Guggenheim Museum was called “the miracle in Bilbao” when it opened in 1997. Architect Philip Johnson declared it “the greatest building of our time” and its designer “the greatest architect we have today.”
That designer, Frank Gehry, would spawn “the Bilbao effect,” the belief that audacious structures by so-called “starchitects” could stoke economic growth, inspiring the world’s architects to create iconic buildings to attract investment and tourism. Indeed, since the museum in Bilbao opened, it has injected billions into the Basque economy.
On Friday, the man who has been hailed as one of the greatest architects of the 20th century and beyond, died at his home in California. He was 96.
Gehry, who once told Toronto Life that “retirement is going to happen to me unwillingly.” In 2011, after completing a new concert hall in Miami at a mere 82, he reflected on his longevity. “Being this age has actually made me more productive,” he told AARP. “My life has fewer distractions, and I’m able to get to the essence faster.”
The avant-garde master’s essence discarded symmetry and straight lines for twisting, floating forms that experimented with such common materials as plywood and corrugated aluminum. While Gehry never saw himself as a Deconstructivist, his works were considered in that style in that they embraced fragmentation, eschewed harmony and constantly broke the rules of architecture. He rejected the glass, concrete and steel forms of Modernism.
“The turning point in my creative life was when I realized that what I was doing and thinking was the only thing I could do and think,” Gehry told AARP in 2003 when he was chosen as one of the 50 Most Innovative Americans Over Fifty. “Anything else would have been contrived.”
Ephraim Owen Goldberg was born on Feb. 28, 1929, in Toronto, Ontario, to Polish Jewish immigrant Sadie Kaplanski/Caplan and Brooklyn-born Irving Goldberg, a traveling pinball machine salesman. As a child, he often used scraps of wood and other materials from his grandfather’s hardware store to construct buildings. From his grandmother, who would keep live carp in the bathtub before grinding them into gefilte fish, and later from woodcuts by 19th-century Japanese artist Hiroshige, he became fascinated with fish. Their silvery scales and fluid forms inspired many of his works, from lamps to the giant fish sculpture created for the 1992 Olympics in Barcelona to, of course, the museum in Bilbao.
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