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Las Vegas’s glassy, domed Allegiant Stadium was packed with some 55,000 fans Saturday night as the Rolling Stones performed classic tunes that many in the crowd likely had been listening to and loving for decades: “Sympathy for the Devil.” “Jumpin’ Jack Flash.” “Gimme Shelter.” The band also sang three songs from its new album, Hackney Diamonds, highlighted on the AARP-sponsored “Stones Tour ’24 Hackney Diamonds” that kicked off in Houston on April 28.
The age-defying Mick Jagger, 80, slid around the stage and shook those famous slim hips. Keith Richards, also 80, was as stunningly accomplished and cool (seriously, who’s cooler?) as ever, and Ronnie Wood, 76, rocked along with them — from “Start Me Up” to “(I Can’t Get No) Satisfaction.”
My first-ever Rolling Stones concert was, in a word, awesome.
But it seems even more remarkable when I consider how much work and how many people are needed to make this kind of unforgettable rock show go off without a visible hitch. I got the chance to catch a glimpse of how the magic happens by going behind the scenes on the day of the Vegas show. Here’s what I saw.
11:30 a.m. local time
The “backstage” area is really an underground warren of unglamorous concrete corridors, with a catering area, whose walls are classed up with black fabric drapery for staff meals, dressing rooms and humming production offices. Vegas is just the fourth of the Stones’ 19 stops in North America, and there are only about 10 hours until showtime. Yet I notice that everyone — the security staff and production team down here and the sound and light people preparing the stage upstairs — seems surprisingly relaxed.
12:30 p.m.
If there’s one person most responsible for the low anxiety in the arena today, I learn, it’s Dale Skjerseth, 62, an affable, seasoned pro who’s been working on the Stones’ tours since 1994, first as stage manager, and since 2005 as production director.
Tall, with gray hair and kind eyes, Skjerseth talks to me in the massive, mostly empty arena at Allegiant Stadium, where about 20 guys in black shorts and T-shirts are setting up and testing sound and lights. “What’s the most stressful part of the show-prep process?” I ask. He pauses, then says, frankly, “That’s not how my tours work. I don’t freak out. It’s a rock show,” he adds with a shrug and a smile. “Panic only comes with inexperience.”
He explains that show day may seem particularly chill, because everything’s already been set up, “although the energy starts to double” as the hours before the show tick away.
A Rolling Stones concert, by the numbers
57 trucks: 25 for sound, lights, video and other equipment; 16 to carry the massive steel structure that is the core of the stage set. Another 16 trucks have already delivered a second set of steel to the next venue — in Seattle, in this case, where the band plays on May 15.
300+ people: 110 workers on the regular tour team, with 150 more local construction workers, caterers, stagehands, plus dozens for security. And the band.
7 days: The production team needs a week to set up, then pack up and get out in each city. That includes a prep day, three or four days to construct the massive steel structure that bears the weight of the lights, video and stage decor that are affixed to it. The day after the show, everything will be out the door by 8 p.m.
1 p.m.
Skjerseth, now checking out the stage where drummer Steve Jordan’s kit is set up, notes that he needs to pay particular attention to the floor. “Where do their feet land? Is it smooth? This is a dance floor. They’ll come up here later ...” He stops mid-sentence. “We got a wet spot there,” he says to a woman nearby. “We got to fix that.”
He continues, “That’s what I give them: that guarantee that it’s going to be how it’s supposed to be, every day.”
Later, the team will sprinkle pool cue powder on the stage, so Mick can do his smooth moves (like Jagger).
1:15 p.m.
A group of a dozen or so stagehands are assembled behind the stage, preparing to set up the gear for the opening act, The Pretty Reckless, a rock band from New York fronted by singer and guitarist Taylor Momsen (a former Gossip Girl star, who knew?). Their instruments will sit in front of the Stones’ for now, whisked offstage as soon as they wrap their 45-minute set tonight.
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