One of the first things I did when I started painting murals was to put that face back on the Filipino sun. I also used my murals to honor unsung Filipino and Filipino American heroes. I love murals because they’re big and bright and they’re open for everyone to see. I’ve painted probably a hundred of them—many in Los Angeles, but also in Alaska, Seattle, Philadelphia. I recently finished a new 30-foot-tall gateway arch in Historic Filipinotown in L.A. The name of the piece is Our Guiding Star, and it bears images that appear in precolonial Filipino aesthetics. There’s a gumamela, or hibiscus flower, which was culled from Babalyan healers’ tattoo motifs, and the Sarimanok, which guides travelers at sea on their journey home.