The Longest Day, 1962
Three directors tell, with documentary-like detachment, the story of D-Day from both the Allied and Axis perspectives. Accurate or not, The Longest Day recounts the story of Normandy the way those who were there wanted it to be remembered.
Grand Illusion, 1937
In one of the greatest war films, barely a shot is fired. Two French soldiers are imprisoned in a World War I camp headed by an aristocratic captain (monocled Erich von Stroheim). A slave to outdated, gentlemanly rules of engagement, he clings to the grandest illusion of all: That war can ever be "civilized."
Spirited Away, 2001
Animation and the Dream State
Plugging directly into our cerebral cortex, Japanese animator Hayao Miyazaki immerses us in the stupefying world of a bathhouse populated by grotesque river gods. The mind-boggling image of a young girl and a white-masked ghost riding across a calm sea in a trolley triggers in us a mild panic attack: "Am I dreaming this?
The Future, Part 1
Fritz Lang's visionary story of class war in a futuristic city is enlivened by humanoid robots, sparking machinery and darkly threatening urban canyons. From Blade Runner to Batman, there's hardly a movie set in a dystopian modern age that doesn't crib from Lang's indelible first look.
2001: A Space Odyssey, 1968
The Future, Part 2
Filmgoers had never seen anything like the starkly terrifying beauty of 2001. Hitting the sci-fi "reset" button, director Stanley Kubrick hurls us into the depths of space to the strains of a 19th century waltz. Can technology be humankind's savior? HAL, the rogue computer, throws that notion right out the pod bay door.
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