En español | Fifty years after her death, Marilyn Monroe remains the stuff of Hollywood dreams. It all began when young newlywed Norma Jeane Dougherty went to work building robotic planes on a Burbank, Calif., assembly line. A visiting photographer for Yank magazine snapped her for a cover, launching her into modeling, then movies, then immortality. — Michael Ochs Archives/Getty Images1 of 14
'Love Happy' (1949)
The Marx Brothers' last movie, Love Happy, tanked. But everyone admitted there was a certain electricity about the curvy, unknown blonde who played a walk-on role. "Some men are following me," Marilyn purrs to Groucho. "Really?" says Groucho. "I can't understand why." — Bettmann/Corbis2 of 14
'All About Eve' (1950)
Three of Hollywood's heaviest hitters had no idea the young actress playing the small role of Miss Caswell would soon eclipse them all. Marilyn was so nervous about appearing with Anne Baxter, Bette Davis and George Sanders that she became physically ill after the cameras stopped rolling.
— Michael Ochs Archives/Getty Images3 of 14
Playboy spread (1953)
Hugh Hefner knew a good thing when he saw it. Cashing in on Marilyn's rising stardom, he featured a four-year-old nude image of the then-struggling actress in the first issue of his new magazine. Playboy's initial run sold out.
— Sunset Boulevard/Corbis4 of 14
'Gentlemen Prefer Blondes' (1953)
Marilyn and costar Jane Russell could not have been more different — but Marilyn would never again team so successfully with a female costar (unless you count Tony Curtis and Jack Lemmon in Some Like It Hot). "Jane, who is deeply religious, tried to convert me," Marilyn recalled. "I tried to introduce her to Freud. Neither of us won." — Sunset Boulevard/Corbis5 of 14
The slugger and the star (1954)
They were smart, successful and came from two different worlds. When Marilyn and Yankee legend Joe DiMaggio wed, it caused a nationwide sensation. Alas, Joltin' Joe wasn't cut out to be a movie star's hubby. Just 274 days after she said "I do," Marilyn was asking, "Where have you gone, Joe DiMaggio?" Jane Russell claimed that Marilyn and Joe were on the verge of reconciliation when she died. He paid for her funeral and sent roses to her grave for the rest of his life.
— Mondadori via Getty Images6 of 14
'The Seven Year Itch' (1955)
Marilyn's most iconic movie scene may have been the last straw for a jealous Joe DiMaggio. Fans still position themselves over that subway grate. So can you: It's at the northwest corner of Lexington Avenue and 52nd Street in Manhattan. Your results may vary.
— Matty Zimmerman/AP Photo7 of 14
The writer and the waif (1956)
They were smart, successful and came from two different worlds. Where did we hear that before? Playwright Arthur Miller was smitten with Marilyn's sensitivity; she was taken by his sincere belief in her intelligence. But like DiMaggio, Miller found the realities of being wed to a superstar chipping away at him. Although he wrote her last movie, The Misfits, by the time filming ended they were months from a divorce. Forty years after her death, Marilyn's bicycle still hung in Miller's Long Island garage.
— Bettmann/Corbis8 of 14
'Bus Stop' (1956)
Many scoffed when Marilyn took acting classes from famed teacher Lee Strasberg — but she gave a truly great performance in Bus Stop. Marilyn plays a less-than-talented saloon singer who falls in love with a cowboy. "I think that was the first time that I learned that intelligence and, yes, brilliance have nothing to do with education," director Joshua Logan recalled.
— Michael Ochs Archives/Getty Images9 of 14
'The Prince and the Showgirl' (1957)
When Marilyn arrived in England to costar with Laurence Olivier, the press was over the moon. The movie inspired the recent hit film, My Week With Marilyn, in which the central character sums it all up very nicely: Olivier was a great actor who wanted to be a film star, and Marilyn was a film star who wanted to be a great actress.
— Popperfoto/Getty Images10 of 14
'Some Like It Hot' (1959)
In Billy Wilder's classic farce Tony Curtis' character goes ga-ga for ukelele-playing Marilyn, whose earnestness gives the film its heart. (By the way, if you don't already know the movie's killer last line, it's worth all 120 minutes just to get to it.)
— Courtesy Everett Collection11 of 14
'The Misfits' (1961)
She's a recently divorced woman; Clark Gable is the hard-edged cowboy she falls for. Both stars are in fine form, but they seem world-weary, and it's not just Arthur Miller's aching script and John Huston's dust-choked direction. Neither one would live to complete another film.
— Eve Arnold/Magnum Photos12 of 14
Happy Birthday, Mr. President … (1962)
On May 19, 1962, Marilyn gave President John F. Kennedy an unexpected gift: the sexiest-ever rendition of "Happy Birthday," at New York's Madison Square Garden. Reportedy, Jackie was not pleased.
— Bettmann/Corbis13 of 14
'Something's Got to Give' (1962)
Marilyn completed several scenes for her planned George Cukor comedy, including that legendary nude swimming pool scene. But the true heartbreaker is a later segment, in which Marilyn, apparently older and wiser, returns to the pool. She looks around sadly, then chats with two children playing there. "Are you going to stay long?" one asks. "I don't know yet," she answers in that whisper, like a sultry summer breeze. "Would you like me to?" Yes, we answer. Yes, please stay. But we know she won't.
— Bettmann/Corbis14 of 14
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