AARP Member
Offline
Background
Birthday: February 18
Gender: Male
Religion: Christian/Catholic
Location:
EWA BEACH, Hawaii
United States
School:
University of the Philippines
Ateneo de Zamboanga
De La Salle College
Work:
Department of Public Works, American Samoa Government
Hometown(s):
Zamboanga City, Philippines
Pago Pago, American Samoa
Ewa Beach, Hawaii
Quote:
Life is the childhood of our immortality. --Johann Wolfgang von Goethe

My Journals (48)

There is a stump where the gnarled old tree was.
The neighbor felled it for umu firewood.
Now smoke not shade unfurls where once it stood
And lupes fly above without a fuss.
 
On sunny days, its gaunt limbs and fingers
Seemed so much like a pleading oblation,
Bidding shades of memories not to shun.
Its resemblance to my soul still lingers.
 
How soon the birds forget the fruits it bore.
And buzzing bees and lizards now consume
The ooze of nectar from another bloom.
What is not there is easy to ignore.
 
Everybody knows, as the river flows,
When an old tree goes, another one grows.
Added: November 10, 2009
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I will always have flowers in my room
To give color and fragrance to my life,
Diluting forays of the black of gloom
And overpowering the scent of strife.
 
I will always have fruits on my table
To retain the fiery warmth of my youth,
Forsaking the view of 'until I’m able'
And slay mortality with living truth.
 
So shall deep desolation be smothered
By the perfumed allure of fresh blossoms.
And the hunger for life will be fostered
Surrounded by children of love’s kingdoms.
 
My true love promised to be the flower,
My scions, the fruits in the happy bower.
Added: November 2, 2009
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there is something missing in the glaring landscape.
although the wreathing mountains are sensuously alive
like a modigliani reclining nude bent out of shape.
my moonstruck mind calls out for the heap to revive.
 
but there is something lost in the paraphrasing.
although the highest peaks are like powerful bosoms
pointing to the welcoming sky with wanton aching
and the curling low hills are limbs with deadly venoms.
 
there is an empty space between the sea and sky,
like a muddy path in the unseasoned swarthy forest
or like a silent vacant room in a home gone awry,
like the still echo from a heart where the cell is widest.
 
how graceful it was then when the vital pangs were green
and the zodiac elements could snugly fill in the void,
where earth, fire, air, and water indulgently convene,
where hallow and barren aged souls were matters for freud.
 
the guitarist plucks the strings of his mournful music.
the notes splash like raindrops into the harmonic lobes
but the walls are slippery and together with the lost lyric
are funneled like fake gems into indiscernible microbes.
 
even the oils from the bristles are too thin and moist.
the strokes are haphazard and full of sloshing doubts
and the droplets are hefty stones that will not hoist
but streaks the weeping canvas with vapid shouts.
 
although there is that mystic beauty in a blade of grass,
everything is drawn to a perforation from a trepanation.
how can one reverse the gravity of the profound crevasse
when you are the black hole that no one can shun?
Added: October 19, 2009
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I learned a lesson in the orphanage
Where to me it seemed the blithe sunlight quit.
The thought of progenitors so unfit
Drove me to deep gloom and then to shrill rage.
 
I saw my loneliness in the child’s face,
The many deaths my punctured soul survived.
My heart I heard its cry of love deprived
And visions of dried roses in a vase.
 
I hug the babe with thoughts of deep presage.
But grins of innocence my eyes imbibe.
Keen light is from within, I now ascribe.
I learned this lesson in the orphanage:
 
I looked at the child, saw me, and I died.
The child looked at me, saw me, and then smiled.
Added: October 8, 2009
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who knows what triggered the conception,
a germ that swirled in the commanding cataract
and melded with the mangled driftwood
that gamboled in the wet and dry grains
with the ebb and flow of the seductive curls
in the dark silence of the secluded seashore
or a gentle genesis of a maiden’s nine travails
as she lay trembling in pedal pushers
inducing a shifting delicate depression
in sir galahad’s pure heart of armor?
 
it could be the fan that gasped hot and cold
and stirred the trickle of suspicion
from the repulsive malformed toes
to the black hairy mountains that sheds
dim visions hatched by coated bullets
ordained by the quick sharp pens
of gunslingers in white authoritative coats.
 
for why did she lift the fixtured tank
and assertively fling it to the limestone floor
inundating the dusty floor of the unwalled room
with lagging wavelike crawling seawater
like red sap from a deep gash of a dangling limb?
 
or why the sense of anger and frustration
when insulated strands of fire
to pandering outlets were unlinked intermittently
as she tripped on countless sleeping children
on foam mattresses on the grimy floor
filled with scattered broken glass
embedded in the moist synthetic carpet
from miniature battered toy vehicles
stacked like wobbling canned sardines
among the archipelago of her sloshed mind?
 
only the beating of the deafening jungle drums
in the marbled ruins of the temple of artemis
and the trickling of the camel’s dry sweat
into the eye of horus and the frog’s nose remain.
 
like a translucent rectangular glass plate
that glides over the mysterious abstract images
of the aberrant upside down architectural edifices
and wooden symbolic placements and arrangements
in the war-torn like highways of desolation,
the sickness is dispersed methodically
in the primed shallow open graves
of the unwary walking dead.
Added: October 4, 2009
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Shhhh!
Listen to the soft tingling
of the whisperings of the winds of twilight,
cool to my keen ears,
like the rustling of the emerald leaves
of the great banyan tree
or the crackle of the orange tears
fleeing without method
in the dark pavements
on the asphalt maze
of the unsympathetic metropolis.
 
I asked you to love me
under the sprawling banyan tree,
beside the rippling stream.
And I promised
that we would meander together
nourished only by affection,
like catching the unabashed raindrops
that gives life to the provoking rivulet,
in our yet thirsty lips
fulfilled with unrestrained kisses.
 
And you lay with me
until the first rays of morning
under the reticent shade of the banyan tree
as we cared for the rambling stream.
And when the night is filled with stars
I still see your winsome smile
kindled through the branches
by the evanesced starlight.
 
But the lure
of the whispering winds of twilight
are hot on my senses,
like a love struck rival
calling me with affectionate gentility,
caressing tenderly
the fragments of my broken promises.
 
And when only the morning star
is visible in the waning darkness,
you will remember me.
When the sound of the gurgling brook
starts to sigh in the chilly night,
you will remember me.
When you feel the tender caress
of the murmuring wind
against your rubicund cheeks,
you will remember me.
When the leaves start to turn
from their drooping soulfulness
to a dance of worshiping smiles,
you will remember me.
 
Shhhh!
Listen carefully
to the tender vibrations
of my fulfilled promises
in the distant echoes
of the children’s laughter
in the fading light of twilight.
Added: September 16, 2009
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There is a paradigm
of trepidation
in your primness.
Like the trim funnel
of the evening primrose,
sculpted in poison marble,
precise and decorous,
positioned prestigiously
among the skyscrapers
of the city.
 
Even your words
fall like staccato pebbles
into a rock garden
and molded
like stringed pearls
in a geometric pattern.
 
Is it a façade
to mislead the collector
of quintessence
like an emotional
chameleon
or a flowing spider web
as shield against
baits of pain and anguish?
 
Let me help you
bring chaos
to the long straight
threads that hide
the inconstant
passion or
mangle the candid crease
of your olive cargoes
and bring delight
to the turmoil.
 
Your primness protects you.
The fleeting
exchanges are like
salt beds under the blue sun
and the only way to subdue
the pattern of your prison
is to throw a rock at
the divine
stained glass
of your soul.
Added: September 7, 2009
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Again, I walk the tree lined street that grieves,
Like going through a tunnel with no echo.
The shower of flowers dance with the leaves
With a stringed dirge from a weeping cello.
 
Now the wailing trees turn to mourning gods,
Waving at me when the tropic wind blows,
Absorbing my anguish like lightning rods,
Baring dark memories in ebbs and flows.
 
My memories are quicksand in the marsh
Like the tears I give the beggar as alms.
In my ring finger, the carat is harsh
And in my wallet the funeral psalms.
 
There is no undressing the cloak we wore.
Tell me just Lord, what are memories for!
Added: August 20, 2009
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the jocund days of my youth beckons me gloriously
like the crimson sunset of cawa cawa boulevard,
bordered by the twin islands of the corralled sta. cruz
where the soiled ghosts from the tribal burial grounds
rise up like steam from the boiling narrow straits
and merge with twilight’s plethora of colors.
the sound of friendly ‘bagay’ yells to the sea gypsies
in their colorful tapis and sailboats in the waning light of day
still resound in dying echoes in my fetching reveries.
 
before the sun rises, the fishermen pile their catch
in the counters of the teeming marketplace.
the crabs, lobsters, bangus and matambakas
trickle their excess seawater to the earthen floor
and muddy the thick strong feet of the sellers,
leathery like the skin of the wild boar still furtively
snorting inside rattan cages alongside hens and roosters,
saintly flat, crushing the head of eels with their heels
while the eel’s tails are intertwined in the ankles.
 
in the rice fields of canelar, the reapers are swinging
their scythes in joyous songs of life’s golden harvest.
the pounding of the rice stalks against the petrified log
lay the husks with grains of life on the gathering nipa mats
while the rhythmic sounds of the pestle pounding on the mortar
are like mournful drum sounds of a funeral procession.
and in the backyard of schools, the learners are tilling
with army spades and hoes garden plots like cemetery graves,
watering with tin sprinklers lush and bountiful pechay leaves
and patiently weeding out the suffocating burdens of growth.
 
the tiny mayas, the nodding  culculs, and the lofty kingfisher
are calling me with teasing birdcalls from the guava trees.
its branches are bent and wobbling from their numbers,
leaves and birds are fused as one against the fluttering shadows
of coconut trees and the low arms of the ipil ipil dense shrub.
my slingshot  of the guava Y, of rubber inner tubes
and from leather of my old moccasin lay broken
amongst the picked bullet pebbles in my dense hideout.
the sky suddenly darkens from their flight of escape
from the loud shoo of my young frustration.
 
the long lazy summer vacation days linger in my memory
of water, water, cooling blue green life giving water
in the natural pools and cascading falls of pasonanca,
in the rolling, tumbling, playful waves of caragasan beach.
my mind is a clear blue bubbling aquarium
from the breathless dives with homemade goggles
into the living reefs and corals rife with minute organisms
playing hide and seek and tantalizing peek-a-boos,
sucking the envenomed breath out of my bursting lungs,
and the mischievous and boisterous laughter
of skirting around in sopping shorts with pails of water
dousing my rivals with the game of tubigan
under the swelter of the noon day sun,
fire hydrants with open flowing waters flooding
the bemired canals bringing out the frogs and catfish
wiggling in the scorching pavements of caretela roads.
 
in summer the bougainvilleas bloom in myriad colors
in the heavy hedges of simple barrio homes
where fiestas welcome strangers and friends alike.
the carabao mango tree is pregnant with yellow fruit
almost touching the ground for a grateful kiss,
hesitant to be plucked for the slurping of the ravenous.
roadside stalls are like hanging decorations
of the prickly durian, the ebony mangosteen,
the star apple dripping with sap, the lanzones,
the sweet atis, the sour santol, and the hairy rambutan.
fertile sustaining fruits of my land, long life giving gifts.
 
and then there are the black days of semana santa,
covering the naughty snickers with our grimy hands
or face the stern warning of no laughter from our parents,
the endless murmur of the five decades of the mystery beads
on the clammy hands of ancient wrinkled professional prayers
of their mother pearl rosaries wearing their belted gray gowns,
the rasping shuffling of feet as they slide from station to station,
the smell of acrid candle burnings and sculpted mellow wax
at the foot of severe looking saints, arms widely outstretched,
ensnaring all and cleansing the imagined sins of the world,
the snaking religious processions with life like images in floats
of the passion of christ and the scramble of sweaty devotees
to lift the flagellant burden on their bone weary shoulders
in distinct atonement of their annual recalcitrant iniquities.
 
zamboanga of my lost youth,
where I broke the fragrant scent of the chaste sampaquita
and spread the moist petals on the roadside tingling grass
under the midnight crescent moon, dying, dying
into the deep cavities of the mongrel cluster of blossoms
writhing in the passionate tango dance of death
like the wounded robin with the red stain on its beating breast
from my hunter’s pellet, shuddering with its last breath,
etched forever in the feathers of my winged heart.
 
zamboanga, zamboanga, city of the virgin people
where east and west and north and south are pointless,
where the juramentados in their bound bodies
and brilliant flashing barongs where a curiosity,
where the lilt of the chavacano dialect is a pidgin
of all the world's culture, where the virgin birth
with three mothers of spain, america and malay
is a miracle that has spawned not a schizophrenic mentality
but a new proud race with the propitious values of each.
in the city of my youth there was no gap in the cultural divide.
in the city of my youth I shall return
and try to recapture the splendor
of the opalescent soul of the chavacano
among the forgiving faces of half a century ago.
Added: August 19, 2009
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the water bearer has grown old and tired
carrying the clay ashen jar on her turbaned head.
she stands swaying precariously, teetering in the brink of darkness
like a prima donna pirouetting on top of the rainmaker mountain.
 
she falls inexorably, down to the black jagged lava rocks
under the whimpering shadows of the insensitive volcano
cracking the ancient vessel in seven places, dripping eternity
like percolating wet sticky mud into the abiding river banks.
 
woe to the song of the love birds in caged bronze bars
and to the tiny fishes creating ripples in windswept pools.
woe to the plumeria petals lazily floating to unknown caverns
and to the breathing stream emptying its pain to the sea.
 
arise from your shadowy grave and shine once more
in the southern hemisphere of my lifeless soul.
patch the seven cracks with your languishing tears.
my heart is like the cascarones pierced with bamboo sticks.
 
oh woman with the inscrutable faltering smile,
the water from the bubbling brook is coerced by time and space
like the fleeting rainbow from a sudden samoan shower.
show the aquarian the telling signs in the lines of your palms.
 
while the constellation pours fluidly in the tendril tropics
i shall wait for you in the harshest bonfire of the summer solstice.
do not leave me flammable like the waning glow of the cigar butt
buried among the wood chips under the sprawling acacia tree.
Added: August 17, 2009
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