My parents never had a happy marriage, or at least not during the years that I was old enough to understand and form impressions of the world around me. Certainly they must have been happy when they first fell in love, or when they moved to a beachfront trailer park in Hollywood, Florida, to await the birth of their first child, my older sister Susan. But I was the third baby, and by the time I came along, the family trouble was deep.
When my mother finally left my father, I was age ten, and she pulled me out of school and told me of the separation after the fact. In the five short hours since I had slouched at the kitchen table that morning to wolf down cornflakes and milk, a moving van had arrived, cleared the house of nearly everything, and my mother, my sisters, and I were in a new home, new lives, utterly altered circumstances. Mom knew what was coming, of course, had planned it for months, but I had absolutely no forewarning.
Neither, it turned out, did my father.
I can’t write the memory of how my father reacted when he came home that evening to an essentially empty house, because I was not there. But I can still write memoir around this incident, including my father’s possible reactions, by using simple phrases such as “I don’t know for sure, but I imagine …” or “My guess is that my father …” What I envision says as much about me, perhaps, as it does about my Dad.
Likewise, I can’t write about the time when my parents fell in love, or moved to Florida, because I was not yet born to have such memories. But I can again imagine, speculate, conjecture, and as long as I am honest with the reader, what I am writing is truly nonfiction.
Here are two exercises that use memories that you do not have clear in your mind to shape a piece of memoir: